Monday, September 7, 2015

Ken Griffey Jr. recreates 1989 Upper Deck rookie card in hip hop video

Ken Griffey Jr.'s 1989 Upper Deck rookie card remains one of the most iconic baseball cards ever. The first card in Upper Deck's inaugural release, the future Hall of Famer's rookie card skyrocketed to values of over $100 during his first season. Widely collected as the premier Griffey Jr. rookie card to own, it can be found in baseball fan's collections worldwide.
1989 Upper Deck Ken Griffey Jr.  / Author's Collection

Seattle based hip-hop artist Macklemore paid tribute to Griffey Jr.'s infamous rookie card by having him recreate the pose (at 1:43) in his new video for, "Downtown," featuring Ryan Lewis, Melle Mel, Kool Moe Dee, and Grandmaster Caz.

Saturday, September 5, 2015

Jake Taylor's Major League advice for Matt Harvey

While Matt Harvey isn't out there tanking games for the New York Mets, there has been quite a buzz about the potential decision spurned on by his agent Scott Boras, and Dr. James Andrews to force the Mets shut him down for the rest of the season when he reaches his 180 inning limit. As the Mets are approaching the playoffs and a potential run at the World Series, you can only wonder if one of the veterans will be pulling him aside in the locker room and giving him a talk ala Jake Taylor did to Roger Dorn in Major League.


2015 Topps Football celebrates a rich NFL tradition spanning 60 years

Topps is celebrating the 60th anniversary of their NFL partnership with the release of their 2015 football series. With a mix of vivid graphics, a wide range of NFL rosters, and insert cards featuring retired legends, Topps’ 2015 football set is sure to please both the avid football fan and sports card collector.

The base set contains 500 cards, featuring 99 rookies alongside 240 veterans. There is a tremendous focus on the impact of fantasy football reflected in the set. Subsets include cards ranking the Top 60 players in the league, as well as one dedicated solely to Fantasy Studs.


There is a dizzying array of inserts that are sure to keep the avid collector busy. There are four base set parallels: Gold (#2015), BCA Pink (#499), STS Camo (#399), and Platinum (1/1). There are also close to 100 short printed variations that are sure to leave set collectors chasing for quite some time.


Their 60th anniversary insert set delivers a nod to the past, putting both active and retired players on cards designed in the spirit of past issues.


Staying with the theme of honoring their rich NFL tradition, other inserts include Road to Victory (Super Bowl), Past and Present Performers (current stars paired with franchise legends), and All-Time Fantasy Legends (past high-end fantasy sports performers).




The major hits in each hobby box are an autographed or memorabilia card, as well as a stamped vintage buyback card embossed with their 60th anniversary logo. This box drew a Melvin Gordon patch card, as well as a 1980 Topps buyback Jerome Barkum card.



With their 2015 football release, Topps has celebrated their rich tradition with the NFL by giving fans both old and new a product to share and get excited about.

Thursday, August 27, 2015

Jack Clark's transformation from wild moundsman to slugging outfielder

Power defined Jack Clark’s 18-year major league career. Whether he was smashing tape measure home runs or unleashing laser beam throws from right field, Clark flashed impressive tools that made his rookie league manager Art Mazmanian pull him from the pitcher’s mound shortly after the start of his professional career in 1973 with the San Francisco Giants.

Clark with the Giants in the minor leagues

Mazmanian, a former infielder who reached the Triple-A level with the New York Yankees in the 1950s, used the keen eyes he developed from being a part of the talent-rich Yankees organization to change the fortunes of Clark’s career. He only needed to see Clark pitch a few games for his rookie league team in Great Falls, Montana to know that his future was in the outfield, not on the mound.

“I managed Jack Clark as a rookie (in 1973),” Mazmanian said in a 2009 phone interview from his California home. “They started him out as a pitcher. I had him pitch four [sic] games. He went 0-2. I saw him hit it out of our ballpark and it was 350 down each line. I knew what kind of a hitter he was.”

Mazmanian had some inside intelligence on Clark’s exploits from an unlikely source, his daughter. She had seen Clark play in high school and urged her dad to come out and watch.

“He was one of the better high school hitters in our area,” he said. “He played against my daughter’s team, Walnut High for two years. She kept telling me, ‘Dad, you oughta see this guy, he could really hit.’”

Mazmanian with the New York Yankees

Almost immediately, Clark reminded his manager of a Yankees legend that he watched during his formative years in professional baseball. He told Clark that his talents were reminiscent of Joe DiMaggio, but were missing a certain intangible that was inherent in the Yankee Clipper.

“After four games, I called him out, ‘Jack, you are a better hitter than anyone we got here, this is ridiculous. Tomorrow I am going to put you in center field. You remind me of Joe DiMaggio, but you are too lazy to be a center fielder. You are going to play right field in the big leagues someday.’”

Mazmanian’s decision wasn’t without controversy. George Genovese, the legendary scout who signed Clark vehemently disagreed with his manager's position change.

“The scout that signed him got mad at me because he was the one that got me the job at Great Falls. [Genovese] said, ‘Artie, I signed him as a pitcher.’ I said, ‘George, he’s a better hitter than any player that’s here. How many .300 hitters are in the big leagues anymore? And he’s 17 years old.’ I told [Genovese] that he could go back to pitching in instructional ball. Jack fought me on it, he wanted to pitch.”

Clark rewarded his manager’s decision with an extraordinary performance. The 17-year-old newly minted outfielder tore up a heavily collegiate pitching staff in the Pioneer League.

“I put him in center field the next day, and he hit in 17 straight games,” Mazmanian said. “They stopped him and hit in 13 additional straight games. … He [just] missed leading the league in home runs, doubles, RBIs, and total bases.”

Despite Mazmanian’s prediction that Clark would be an elite major league right-fielder, the Giants weren’t sold on that idea. For the next two minor league seasons, he played almost exclusively as a third baseman. His infield experiment ended after he committed a whopping 109 errors in 147 games.

“The next year, they wanted to make a third baseman out of him,” Mazmanian recalled. “I said to my wife, ‘If he plays third base, he’s going to kill someone in the front row of the bleachers in the first base area because he didn’t have a catch-throw.’ He had a strong arm, but not the footwork. And sure enough, they moved him back to the outfield.”

Clark clouted 340 home runs from 1975-1992 while making the All-Star team four times. A veteran minor league manager's instincts opened the door for one of the most feared bats in the National League. He never pitched again after Mazmanian pulled him from the mound, and ironically he played four games in the major leagues at third base and handled all of his chances without an error.



Wednesday, August 26, 2015

How Dan Bankhead's MLB debut nearly incited a riot

The pitching mound in Ebbets Field shouldn’t have been a source of angst for Dan Bankhead when Brooklyn Dodgers manager Burt Shotton summoned him from the bullpen on August 26, 1947. The righty hurler had been playing professionally in the Negro Leagues since 1940, had four other brothers who played in the league, and served as a Montford Point Marine during World War II. Yet despite all of the formidable opponents he faced, it was the possibility of a race riot that he feared most if something went wrong on the hill that day.
Bankhead signs autographs before his 8/26/47 debut

“See, here’s what I always heard. Dan was scared to death that he was going to hit a white boy with a pitch,” Buck O’Neil said in Joe Posnanski’s, ‘The Soul of Baseball.’ “He thought there might be some sort of riot if he did it. Dan was from Alabama just like your father. But Satchel became a man of the world. Dan was always from Alabama, you know what I mean? He heard all those people calling him names, making those threats, and he was scared. He’d seen black men get lynched.”

Bankhead's famous windup
Bankhead made history as the first African-American pitcher in major league history on that day in 1947, following his teammate Jackie Robinson in the record books who had broken baseball’s color barrier earlier that season. Pitching in relief of Hal Gregg who gave up six runs and only lasted one inning, Bankhead didn’t fare much better against the visiting Pittsburgh Pirates. He was charged with eight runs in three-and-a-third innings, ending the day with a 21.60 ERA. To his credit Bankhead homered in his only at-bat, but it was an incident that occurred in the top of the fourth inning that almost fulfilled his prophetic fears.

Bankhead's first MLB home run

With the Pirates leading 8-2 with two outs, outfielder Wally Westlake approached the plate. Like Bankhead, Westlake was a 26-year-old rookie and World War II veteran trying to find his place in the game. Westlake hit a home run earlier in the game and looked to add another to his totals. Bankhead wound up and fired off one of his patented fastballs for the first pitch of the at-bat, but as it left his hand, his worst nightmare unraveled before his eyes.

He hit Westlake squarely in the upper arm.

“It was like the fans held their breath waiting for the reaction,” the now 94-year-old Westlake wrote in a 2008 letter. “He was just another dude trying to get me out and I was trying to whack his butt.”

The first game an African-American man pitched in the majors and he hit a white batter. The crowd waited for Westlake’s next move. Was the pitch retaliation for his home run earlier in the game? A split second decision by Westlake to charge the mound or take his walk down to first base would have a significant impact the fate of African-American pitchers in the majors. Fortunately, Westlake chose the latter, with little regard to what the fans expected him to do.

“I think I disappointed the rednecks,” he said.