Monday, February 7, 2011

Gonzalo "Cholly" Naranjo Private Signing February 21, 2011

BaseballHappenings.net is proud to present a private signing with legendary Cuban Hall of Fame pitcher and former Pittsburgh Pirate, Gonzalo "Cholly" Naranjo. He currently has a 0% success rate on SCN. All items are due by February 17, 2011.

Cholly was an integral part of the legendary Almendares team from 1952-1961. He was signed by legendary scout "Papa" Joe Cambria to the Washington Senators, and had a catch with President Eisenhower before the home opener in 1954. He was then signed by the Pittsburgh Pirates by Branch Rickey and was a member of the Hollywood Stars of the Pacific Coast League (PCL) before making his debut with the Pirates in 1956 alongside his roommates and future Hall of Famers Bill Mazeroski and Roberto Clemente. He spent most of his life in Cuba, and his autograph has evaded many autograph seekers.

His only standard issued card is the 1957 Topps Pittsburgh Pirates Team Card.

The prices for the signing are as follows:
Cards / Photos / Flats / Index Cards - $10
Your Baseball - $12
Our 8x10 Photos - $15 (includes autograph)
Inscriptions - $5

Shipping costs are as follows:
You can send a SASE with your items, however, you assume all risk for the SASE.

$2 Baseball Cards / Index Cards / Photos Smaller Than 5x7
$4 Photos 5x7 or Larger
$5 Baseballs

If you are located outside of the United States, please email for a shipping quotation.

Payment Forms Accepted:
Paypal / Credit Card
Money Order

Please send your items with a post-it note and name to ensure the correct return.

For details on paying by either Paypal / Credit Card, please send an email to baseballhappenings@yahoo.com

Saturday, February 5, 2011

Andy Pettitte and Whitey Ford: A Comparison

Keith Allison / Flickr / Wikimedia Commons
The big news on the New York baseball airwaves last week was Andy Pettitte's announcement of his retirement after a 16-year career in the major leagues with the New York Yankees and Houston Astros. As soon as the official word was given, a multitude of talking heads discussed Pettitte's candidacy for the Hall of Fame. The soutpaw's career totals parallel that of another Yankee left-handed great, Hall of Famer Whitey Ford.

Below are Pettitte's final totals juxtaposed with Ford's. Playing in the era of specialization, it is no surprise that Pettitte falls short when comparing complete games. The rest of their statistics are eerily similar. How does Pettitte's career stack up against Ford's, and is Andy Pettitte a Hall of Famer? Discuss below.

In case you are wondering, Ford needs a second hand just to display his World Series rings, owning six, while Pettitte garnered five during his career.


Career Statistics
Player Name Stat Type
W
L
ERA
G
GS
CG
SHO
GF
SV
IP
H
R
ER
HR
BB
SO
WP


WHIP
Andy Pettitte MLB
240
138
3.88
489
479
25
4
3
0
3,055
3185
1461
1317
263
962
2251
62




1.36
Whitey Ford MLB
236
106
2.75
498
438
156
45
35
10
3,170
2766
1107
967
228
1086
1956
75




1.22


Wednesday, February 2, 2011

Butch McCord leaves behind a baseball legacy of a lifetime

Baseball lost another great ambassador last week with the passing of Clinton “Butch” McCord. His baseball career spanned from 1948-1961, starting in the Negro Leagues with the Baltimore Elite Giants. reaching as high as Triple-A for four seasons. Let Butch McCord narrate the story of his baseball career, however, he’d reply with a more modest answer.

“I call myself a backup singer,” McCord stated in a 2009 interview. “You know what that is? [You] sing good, but nobody watches you. That's the way I was in baseball. When I was playing, there were only eight teams in each league. It was hard to even get a break.”

For McCord, he almost didn’t even have a chance to play the game that he loved so much. In addition to growing up in the segregated south prior to Jackie Robinson’s signing, neither his high school nor his college, Tennessee State University had a baseball team. It was only through the intervention of one of his football coaches that McCord moved to baseball.

“I was a football player at TSU. I learned baseball from playing in the sandlots. We won the Negro National Championship in 1946. In 1947, Jackie signed and one of our football coaches said, ‘If I were you, I wouldn't play anymore football.’ So I signed with Tom Wilson, who had one of the few black owned ballparks here in Nashville, Wilson Park,” McCord revealed.

Butch McCord - Louisville 1957
Wilson’s untimely death in 1947 put a damper on McCord’s plans to join the Elite Giants. “He asked me to play in 1947, but he died in 1947. His secretary that took over told me to stay and play with the Nashville Cubs. I stayed and played first base for them.”

True to their word, the Elite Giants signed McCord for the 1948 season, but there was a twist. He was going to be playing the outfield, a position he had never played before. McCord described his entry to the legendary ball club. “When I played for Baltimore, they had a first baseman by Johnny Washington, so Henry Kimbro “learned” me how to play the outfield. With them, I played right field.”

In Baltimore, he found himself surrounded by a bevy of talented players, better than any assembly he would play with, including at the Triple-A level in the Dodger organization. “We had such a good team in Baltimore. We had Joe Black, Leon Day, Pee Wee Butts, Henry Kimbro, Junior Gilliam, and Lennie Pearson with us. That was the best team of all the teams I played for,” explained McCord. He probably was right. Day went on to the Hall of Fame, Black and Gilliam were both Rookie of the Year award winners for the Brooklyn Dodgers, and Butts, Kimbro and Pearson were repeat All-Stars in the Negro Leagues.

Like many others who entered the Negro Leagues, McCord experienced baptism by fire during his debut. "My first game in 1948 with Baltimore was against the Homestead Grays. Buck Leonard was at first base, Sam Bankhead was at shortstop, Luke Easter was in the outfield and Luis Marquez was in center field," McCord recalled. "I hit a ball to the left side, a slow ball down the left side. I was a left handed hitter, so I thought, 'I got this one made.' I thought I could run. He [Bankhead] threw me out by about two steps! I said to myself, 'Welcome to the Negro Leagues!'"

If facing the legendary talents of the Negro Leagues wasn't difficult enough, McCord and his teammates endured the Jim Crow laws to persist in playing baseball. McCord told a story when his white teammates with the Chicago American Giants weren't allowed to take the field. "When I was with the Chicago American Giants, we integrated in reverse. One of the white players was Louis Chirban, he was my roommate," remarked McCord. "We go to Birmingham; Willie Mays was still playing with them. Before we got off the bus, the police chief said, 'I hear you have some white players on the team. If you put them in uniform, I will close the concessions and close the ballpark; they'll be no game here tonight.' The white players asked, 'Well can we sit on the bench?' The chief said, 'You have to sit in the stands with the white folks.'" That was the way of life in South. We dodged it a lot of times."

In 1951, McCord signed with the Paris Lakers of the Class-D Mississippi-Ohio Valley League. He feasted on the pitching in the league, batting .363 in 1951 and an astounding .392 in 1952. So beloved was McCord in Paris, that he was honored with a "Clinton McCord Night" that featured Harry Caray who was a young broadcaster for the St. Louis Cardinals at the time.

His fine play saw him promoted to Denver of the Class-A Western League, where he played stellar defense at first base and batted .358 in 1954. One of his teammates in Denver would go on to make the Hall of Fame as a manager, Earl Weaver, who McCord described as a "pepper-pot" and one of the main contributors to their pennant winning season. It was McCord's steady play that would send him off to Triple-A the following season, one step away from the "big show."

McCord would spend the next three seasons (1955-57) at the Triple-A level playing for Richmond, Columbus and Louisville. He posted batting averages above .258 all three seasons and earned a reputation for being one of the top glove men in all of minor league baseball. It was during this time that McCord would reconnect with one of the biggest stars of the Negro Leagues, Satchel Paige.

"The biggest crowd in the minors was the game we played in Miami. There were 55,000 people. It was a benefit game. I got two hits off of him. I got a triple off of him when I was 16. The ones in Miami didn't count; he was an older man then. His main thing was his control by that time."

By 1958, McCord was already 33 years old and fading away from prospect status. That didn't prevent McCord from holding on to his passion. He signed with the Class-A Macon Dodgers, who at the time was managed by Danny Ozark. Ozark would go on to manage many years in the major leagues with the Philadelphia Phillies. When asked about McCord in a 2008 interview I conducted, the late Ozark responded, "I had Butch McCord in Macon. He was a super guy. Good contact hitter, didn't strike out much. He hit over .300. He became the most popular player on the team and the MVP."

McCord would spend a few more seasons in the Dodgers organization, bouncing between Double-A and Triple-A until retiring after the 1961 season with Victoria of the Texas League. He earned two Silver Glove awards for his wizardry around the first base bag. Even until they had to take the uniform off of his back, McCord still thought he had a chance to break through. “I always thought I’d do my best and somebody would give me a chance. Even when I decided to retire, I always thought I was going somewhere.”

McCord returned to Nashville and worked for the United States Postal Service until his retirement in 1988. He remained a fixture in Nashville area baseball, working tirelessly with the Nashville R.B.I. program to promote baseball to the youth in the urban area. He had the baseball field at Tennessee State University named after him following his efforts to revive the program.

McCord wanted to leave me with some advice regarding his longevity. The following words serve as an example of his humor and spirit. "I've been married 58 years to the same woman. I always ask the youngsters, 'Do you know how to be 83 like me? Do you have an idea how you can get there?' Here's the punchline. 'Just don't die.' Going to church, not drinking and all of that is fine, but you can have an accident and die. If you don't die, you might make it!" Don't worry Butch, you made it and in a way much louder than any backup singer could.

More Information -

Clinton "Butch" McCord - The Marsh Collection

McCord recalls his time with the Paris Lakers - Tribune Star

Thursday, January 27, 2011

Barry Larkin leaving the MLB Network?

Baseball barry larkin 2004An anonymous source told us that Barry Larkin will be leaving his post at the MLB Network for ESPN. The 1995 National League MVP was part of the Hot Stove crew that debuted the flagship program for the station in 2009. Larkin made an excellent "double play" combination with Harold Reynolds, often providing excellent insider commentary on the "how-to's" of the game.

Scooter: The Biography of Phil Rizzuto


Carlo DeVito
Triumph Books, 2010 
368 pp.
 
"Holy Cow!" The trademark line from one of New York's most beloved baseball figures resonates vividly in the minds of fans across the country, long after his days in the Yankees broadcast booth. If Phil Rizzuto was still alive, it would be likely that he would exclaim his famous catchphrase after reading Carlo DeVito's “Scooter.”

DeVito provides in-depth detail of the entirety of the Hall of Fame shortstop's life, a career that was almost derailed when Rizzuto dropped out of high school in 1936. Deemed “too small” by the Dodgers and the Giants, Rizzuto was put back on track to embark on what would be a 60-year journey through baseball with the help of his high school coach Al Kunitz and the watchful eye of Yankee scout Paul Krichell.

Signed by the Yankees in 1937, Rizzuto's career was almost over before it started. During his first season in Class-D Bassett, Rizzuto tore a muscle in his leg and was told that his baseball playing days were over. Miraculously, he recovered quickly enough to return that same season and finish with over a .300 batting average. He would go on to hit over .300 at every stop in the minor leagues before debuting with the Yankees in 1941.

DeVito explores the high regard in which Rizzuto's teammates and opponents held his talents. Often overshadowed by the prowess of Yogi Berra, Joe DiMaggio, Whitey Ford, and Mickey Mantle, DeVito illustrates how many in baseball felt it was Rizzuto that was the vital cog in the seven Yankee World Series championship teams he played for. He would stay with the Yankees through the 1956 season, with his career being interrupted from 1943-1945 due to his service in World War II.

The second half of the biography focuses on Rizzuto's storied broadcast career, which endeared him to a whole new generation of fans, many of which only know Rizzuto from his work behind the microphone. Starting in 1957, with the urges of Yankees' sponsor Ballantine Beer, Rizzuto began a 40-year journey in the booth. DeVito expertly chronicles Rizzuto's ups and downs as one of baseball's most recognizable voices and his ever changing partners in the booth.

The final two chapters in “Scooter”, which detail his playing and broadcast careers respectively are over 100 pages each. In these lengthy chapters, the stories switch so much, that it is difficult to find continuity among the tidbits presented. The book would have been better served to be broken into smaller chapters to enhance the flow of information and keep the reader focused on what DeVito is attempting to illuminate.

Small criticisms non-withstanding, “Scooter” is a great look inside the career of one of New York's most cherished and respected homegrown baseball figures, that will please even the “huckleberries” who choose to pick it up.