Can Topps Chrome offer more than a shiny finish on proven product?

Consumers have been traditionally willing to trade in tried and true reliability for the newest shiny gadget on the market, whether it is a car, a phone, or a pair of sneakers. Topps hopes that they can capitalize on collectors’ obsessions to scoop up the latest glistening gadget with the release of the 2016 Topps Chrome set.

2016 Topps Chrome / Topps

Adding a premium touch to the 2016 Topps base set design, Chrome takes the this year’s classic release up a notch with an enhanced stock and a condensed 200-card checklist in an attempt to attract customers to the product.

With only four cards per pack, Topps Chrome aims to have the feel of exclusivity; however, that feeling is quickly lost with the myriad of parallels that includes nine different types of base card refractors. Building a set is a challenge, as collectors would have to dig into three boxes of the product to even have a chance at compiling a set. With the price of boxes hovering around $70, going through $200 of product just to have the chance to collate a set seems like a daunting task, leaving collectors to focus on the bigger hits in 2016 Topps Chrome.

Each hobby box boasts two autographs, with the majority consisting of almost 80 different rookie selections, including the likes of Michael Conforto, Aaron Nola, Kenta Maeda, Corey Seager, and Julio Urias. An intriguing pull is the 2015 Carlos Correa Topps Chrome Autograph, which missed the cut from last year’s product. Collectors lucky enough to pull a dual autograph could wind up with one of Bryce Harper and Mike Trout, or Kris Bryant and Kyle Schwarber.

While a varied list of autographs, and a smaller set filled with stars and rookies is certainly appetizing, that alone cannot save 2016 Topps Chrome. One thing the hobby needs less of is duplicity, and with what is essentially a chrome finished base card with no change in design, Topps has unfortunately done little to give collectors a reason to chase this one down.

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How Pete Nice brought Double Duty Radcliffe into the hip hop realm

Peter Nash, known to many as Pete Nice from the legendary hip hop group 3rd Bass, posted on Twitter a copy of a letter he penned to Def Jam executives for payment to Negro League legend Ted “Double Duty” Radcliffe for his appearance on Nash’s 1994 solo album, “Dust to Dust.” The track, “Double Duty Got Di**ed,” which featured Radcliffe dropping knowledge on the segregated league over a funky drum break, put some hip hop flavor behind the ruminations of one of baseball’s greatest storytellers.

@ExamineBaseball @nlbmprez #DoubleDuty on #DefJam doc for the song I did with him in 1994 #doubledutygotdicked pic.twitter.com/6FAt1SMAGn

— Hauls of Shame (@haulsofshame) August 13, 2016

Nash, whose love for baseball and collecting memorabilia extends well before the advent of his 3rd Bass days, found it only natural to involve this chapter of baseball history in his music. Speaking with Nash recently via telephone, we discussed the origins of the Double Duty track, which was spawned from an attempt to include a song about Hall of Famer Cool Papa Bell on their 3rd Bass album.

“It was almost like I had two songs,” Nash said. “I changed the song to ‘Cool Papa Got Di**ed Down.’ I had the idea I was going to do a Negro League song. I pitched it to [MC] Serch and he was interested.

“We both wanted to do this song and then we got through the second album and the concept didn’t make it; then we broke up. Ultramagnetic MCs came out with their Negro League song (The Saga of Dandy, The Devil, and Day), so I was like they already did it. Back then it was competition; you didn’t want to bite. They beat us to it. That was in 1993.”

The ensuing break up of 3rd Bass allowed Nash to revisit the idea of paying homage to the Negro Leagues on his solo album. He linked up with Richard Berg, who was the President of the Negro Leagues Players Association, an organization created to help the living Negro League alumni have proper financial dealings as the league experienced a resurgence of public interest and popularity.

“I contacted Richard Berg to get in touch with him about getting in and recording something with [Radcliffe],” he said. “Richard Berg said that it was going to be really tough because [Radcliffe] was so old and not really traveling a lot. He said, ‘Hey, I have all these interviews I did with him and other guys.’ He gave me the master tapes and I listened to it and I pulled right off there. You couldn’t get any better than that!”

Double Duty Radcliffe Signed Photo / National Pastime Museum

Nash still had to wrestle with the idea of how to differentiate his effort from that of the Ultramagnetic MCs. During that era, anything considered copying or being labeled with the tag of “biting” was the genre’s curse of death. After listening to Berg’s tapes, Nash’s vision became much clearer.

“Going into my solo album, I thought how I could do this in a totally separate manner,” he said. “That’s how I came up with the whole spoken word idea. That’s how it changed to Double Duty when I got the vocals from Richard. I was looking at a lot of different players, but his was the best. You can’t beat Double Duty.”



Nash’s preservation of the letter requesting Double Duty’s payment is an important link to the Negro Leagues and the hip hop community. Nash recalled Double Duty initially balking at the amount of money involved because of Nash’s ethnicity, but when all things were settled, both sides walked away with a smile.

“When it came down to actually paying him, the record company was willing to pay $500 or $1000 out of the budget,” he said. “They were really just licensing part of this interview that Richard did. Double Duty said something like, ‘Who’s this white boy doing this?’ He said he wanted more money because I white. He said a whole bunch of dismissive stuff. I didn’t really care; I was glad that he was getting some money. He was happy that it was useful and he liked the song too.”

The ability to access Berg’s master tapes was as close as Nash could get to having Radcliffe in the studio. In some ways, it was a blessing for Nash to be able to keep Radcliffe from the studio, as he felt the nonagenarian’s penchant for chasing women would have kept him from ever reaching the recording booth.

“It would have been cool to have him in the studio, but he would have been trying to pick up every woman that he saw on the way,” he said.

When Nash met Radcliffe in Cooperstown, New York in the early 1990s, he watched as Radcliffe tried to hit on the waitresses at the Otesaga Hotel. Sports Illustrated later noted that even when Double Duty turned 100, he was trying to charm the waitresses at his favorite lunch spot. It is this colorful way that he lived his life that made the story of Double Duty even that more vivid. Radcliffe passed away in 2005 at the age of 102, but the tales that Duty spun have further spread the legend.

“You never knew what Double Duty would end up saying if you sat him down and let him roll.”

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Jackie Hernandez recalls historic first all-Black major league lineup 45 years later

On September 1st, 1971, Pittsburgh Pirates manager Danny Murtaugh made history when he fielded the first all-Black lineup Major League Baseball had ever seen. Starting at shortstop was Jackie Hernandez, a Cuban native who was in his seventh big league season.

Jackie Hernandez / 1972 Topps

Earlier this summer, Hernandez discussed highlights from his professional career at the SABR 46 conference in Miami. One of his most memorable moments was his inclusion in the ground-breaking lineup.

“To play in the all-Negro lineup, that was great for me,” Hernandez said. “I will never forget that. I never think that will happen again, a whole lineup of Blacks and Latins. That goes with me for life.”

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Joe DeMaestri, All-Star and member of 1961 New York Yankees, passes away at 87

Joe DeMaestri, a major league All-Star and member of the 1961 World Series champion New York Yankees, passed away August 26, 2016 at his home in Novato, California according to his daughter, Donna. He was 87.

Born December 9, 1928 in San Francisco, DeMaestri was a star at Tamalpais High School. He caught the attention many teams, but ultimately signed with the Boston Red Sox in 1946 due to his connection with scout Charlie Walgreen, who was also a family friend.

Joe DeMaestri signed baseball card / Baseball-Almanac.com

His break came when he was signed by the Chicago White Sox in the Rule 5 draft after the 1950 season. He served the 1951 season as a backup infielder, spelling Chico Carrasquel at shortstop and Hall of Famer Nellie Fox at second base. Now christened as a major leaguer, the St. Louis Browns took a chance on the upstart DeMaestri, acquiring him in an eight-player trade prior to the start of the 1952 season.

The lowly Browns were helmed by the curmudgeonly Hall of Famer Rogers Hornsby, who took over the team just as DeMaestri arrived. Speaking with DeMaestri during a 2008 interview from his home, he felt that nothing could have prepared him for the experience of playing for Hornsby.

“He wasn't one of the favorite managers of anybody at the time,” DeMaestri said. “He was really from the old school. Bill Veeck fired him halfway through the season. He was really tough on everybody. What he expected, you just couldn't do. Everybody was supposed to hit like him; he was just a tough old boy.”

Hornsby wasn’t the only colorful character he countered in St. Louis. DeMaestri found himself placed in a surreal position playing defense behind the legendary ageless pitcher Satchel Paige.

“It's been so long that I remember playing with Satch,” he said. “We didn't know how old he was. He certainly could throw; he had tremendous control.”

DeMaestri’s reign in St. Louis was short, as he was on the move once again during the offseason, going to the Philadelphia Athletics in exchange for first baseman Eddie Robinson. This trade finally gave him the opportunity to play full time, learning the nuances of the position from two great shortstops of his era, first with Eddie Joost in Philadelphia and then later under Lou Boudreau when the team moved to Kansas City.

“I had the fortune for playing Marty Marion, Lou Boudreau, and Eddie Joost,” he said. “What else could I ask for? Boudreau taught me the game more than anybody as far as short stop goes. I had a good arm, an accurate arm. Every field was different; some had tall grass and slowed the ball down. [He taught me to] know your hitters and how fast they are. One of the fastest was [Mickey] Mantle down the line, so was [Luis] Aparicio. Batting lefty, Mickey was the toughest. If Mickey hit one towards you and it was a two hopper, you better get it out of your glove and over there because he was gone.”

He played seven seasons for the Athletics, making the American League All-Star team in 1957. His fortunes changed at the end of the 1959 season when he rode the elevator from the cellar to the penthouse, going to the New York Yankees in the trade that brought Roger Maris to the Big Apple. He encountered a locker room full of familiar faces, not only from playing in the same league, but from the trading exchange that the Yankees built with the Athletics, using them as a pseudo farm club during the late 1950s.

“That was a story because nobody else wanted to trade with the Yankees,” he said. “We were struggling in Kansas City. If they needed somebody in a hurry, they got them from Kansas City.

“I knew all those guys; I played against them for seven years. We got to knew each other well. Roger and I were in the same trade and I was in Kansas City with Hector Lopez and Clete Boyer. We were all ex-teammates.”

While DeMaestri was now in a position to experience the thrills of post-season baseball and the riches that came with it, one thing he had to sacrifice was his playing time. While in Kansas City he was the starting shortstop, on the Yankees he was one of Casey Stengel’s platoon players. He only appeared in 49 games in 1960, managing a mere 35 at-bats. He quickly learned to change his mind set to be ready when summoned.

“It's a whole different ballgame when you are playing every day instead of sitting there and trying to stay ready,” he said. “It was the toughest thing I had to do, trying to stay ready, especially when I went to New York at the end. Gil McDougald and I were the reserves. It was like spring training every day. You might not get in for two-to-three weeks, and then all of a sudden you get in. Stengel kinda had his defensive club when we got the lead. I'd go to short and Kubek would go to left. Yogi [Berra] was playing left [field] at the time. I got to play more in the second half during that 1960 season.”

DeMaestri in a front row seat to watch teammates Roger Maris and the aforementioned Mantle battle for the single season home run record and a World Series Championship in 1961. Unfortunately for DeMaestri, he spent the majority of the season on the bench, filling a similar reserve role as he did the previous year. Despite his lack of playing time, he enjoyed being a witness to a historical season.

“In 1961 we had Roger and Mickey hitting those home runs,” he said. “That was something that we all looked for everyday we went to the park. It was just a matter of waiting to see who was going to hit the most home runs that day. It was a great season. It was really a lot of fun in New York.”

DeMaestri retired from baseball after the 1961 season, going to work at his beer distributing business for the next 31 years. He sold the company in 1992 to the Eagle Distributing company.

Looking back at his career during our 2008 conversation, DeMaestri, who was known primarily for his defensive abilities, marveled at how the game changed in the field. Infielders now play much deeper than their predecessors, something he attributed to artificial turf.

“I don't think you could play that way today on these artificial fields, the ball comes too fast,” he said. “On the grass fields, nobody played back on the outfield grass. Now with the white line on the artificial fields, you look at where some of these guys are playing, these guys are making plays now in the short outfield. We never saw plays like that.”

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Book Review: Billy Sample 'A Year in Pinstripes ... And Then Some'

Many athletes shy away from the opportunity to play under the spotlight of the New York City media, but when you play baseball for the New York Yankees, it provides a social cache that is unlikely any other in professional sports. Billy Sample only played one season for the Yankees, but the experience provided a lifetime of memories that he has captured in his autobiography, “A Year in Pinstripes … And Then Some.”

Billy Sample - A Year in Pinstripes

A veteran of nine seasons in Major League Baseball with the Texas Rangers, New York Yankees, and Atlanta Braves, Sample peppers the reader with a range of colorful anecdotes that he manages to deliver in the same conversational tone that made him a successful on-air personality after his career ended. He displays his talents to make serious situations palatable when he takes an early passage about his high school teammates refusing to swim in the same pool with him in the early 1970s and find a sliver of humor by telling how he would announce before he went to swim that he was going downstairs, “to clear the pool.”

The aforementioned passage is probably the heaviest social commentary that Sample makes in the entire book. A lighter vibe is maintained of vivid tales explaining how flashbacks of Don Robinson’s curveball still wakes him up in a cold sweat at night and how he served as a radio DJ during the strike-shortened season of 1981.

Yankee fans will get their fix by hearing Sample relay stories of Billy Martin’s antics, George Steinbrenner’s reign, Don Mattingly’s MVP season, and Rickey Henderson, well, being Rickey. Sample manages to humbly sneak in a few of his own highlights, including how his not-so-graceful handling of a carom off the wall while playing left field in Kansas City warranted early morning outfield practice, even though he held the runner to a double.

Baseball enthusiasts will appreciate how Sample tells the story of his career mainly through his experiences with his teammates, ranging from the legendary Hall of Famers, to those who never reached the majors. He places the spotlight on his achievements only when necessary and often in a self-deprecating way, showing that Sample is not above putting his own career in perspective. If you have ever watched Sample as a broadcaster, or met with him in-person, his conversational tone is evident throughout the entire book and what makes his story of, “A Year in Pinstripes,” a worthy one to experience.

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2016 Topps Bunt making a bridge between traditional and digital collecting

Topps has been searching for ways to connect their digital card platform with traditional physical baseball cards. Their quest for a solution has arrived in the form of 2016 Topps Bunt.

The 200-card set is the perfect format to get multiple generations excited about baseball card collecting, no matter the platform. Imagine a young child and their parents sharing the joy of opening a pack of baseball cards and both teaching each other about the nuances of preserving baseball cards while building a collection that lives at your fingertips on your phone.

Even the players included in the set warrant a bonding experience, as the likes of Mike Trout, Bryce Harper, and Andrew McCutchen, are right alongside Cal Ripken Jr., Ted Williams, and Willie Mays. While the younger collectors will gush about the accomplishments of their current heroes, the inclusion of the sport’s legends allows for the conversation about the history of the game to continue.

The box provided for this review yielded 36 packs, allowing for a complete 200-card set to be collated with the purchase of one box. A variety of inserts in 2016 Topps Bunt trump the designs of those included with the Opening Day series earlier this year and rival those in the Topps flagship set.

Sampling of 2016 Topps Bunt Insert Card / Topps

The digital component comes in the form of Bunt Loot Packs, which are ten-card redemptions via the Topps Bunt App. Collectors have the opportunity to unlock a bevy of inserts that run in a similar limited fashion as to what one would find in a physical box.

Topps has been integral for the past 65 years in preserving the game through iconic cardboard images, and continues to do so with 2016 Topps Bunt. With a price point of under $30 a box, 2016 Topps Bunt is a fun and inexpensive way to share the joys of collecting and the narrative of the National Pastime no matter whether it is analog or digital.

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Choo Choo Coleman: Farewell To A Good 'Bub'

Clarence “Choo Choo” Coleman, one of the venerable members of the inaugural 1962 New York Mets team, passed away Monday August 15, 2016 at the Regional Medical Center in Orangeburg, South Carolina due to complications from cancer. He was 80.

Of all of the members of the 1962 New York Mets team, the details about the life and career of catcher “Choo Choo” Coleman remained mysterious, as he disappeared from the public spotlight after leaving baseball.

Choo Choo Coleman in 2012 / N. Diunte

Coleman, then 76-years-old, returned to New York in 2012 for the first time in 46 years for a series of appearances at various memorabilia shows and to attend the Baseball Assistance Team Dinner at the Marriott Marquis. 

Getting His Nickname "Choo Choo"

The usually reserved former catcher invited me to meet with him the Friday evening he arrived in New York, giving his first interview ever since his playing days. Greeting me with a, 'Hey bub, nice to meet you,' Coleman broke the ice with a term I quickly discovered he used to refer to almost everyone. Sitting in his hotel room, he explained the origins of his nickname “Choo Choo”. It was something he had long before professional baseball.

“Growing up in Orlando, I was small and fast, like a choo-choo train,” Coleman said.

He cut his teeth in professional baseball during the 1955 season, signing with the Washington Senators Class D affiliate in his hometown of Orlando, Florida.

“A friend of mine played for them and told me about it" he said. "I talked to the people, tried out and made the team."

Playing professional baseball in the segregated South, Coleman encountered his share of obstacles while traveling.

“At that time it was hard," he said. "People were different [then]. I don’t know about now, it’s a whole lot different. We lived in different places [from the team]. We lived in private homes; we couldn’t live in the hotels back then."

Joining The Negro Leagues 

After two stints with the Orlando team, Coleman was picked up by Syd Pollock’s Indianapolis Clowns halfway through the 1956 season. By that time, Coleman asserts the Clowns moved on from their Negro League affiliation to one of a traveling ball club. His escapades with the Clowns took him to far reaching parts of the country such as North Dakota.

“We weren’t in the Negro Leagues, we played all over,” he said. “I played two years. We played almost every day. We went everywhere; it was a lot of fun.”

He reveled in discussing some of the antics that made the Clowns popular at the time.

“We’d have the Clowns run down on to the field, hitting people in the crowd in the head, stuff like that,” he said.

A Chance With The Los Angeles Dodgers

By 1958, Coleman returned to Orlando and spent two more seasons there, waiting for an opportunity to climb baseball’s proverbial ladder. This chance came in 1960 with the Los Angeles Dodgers.

“I went to Vero Beach and made the A ball club in Macon,” he recalled. “I played there a month or two and then I went to Montreal (AAA).”

Choo Choo Coleman with the Los Angeles Dodgers in Spring Training

Choo Choo Signs With The Philadelphia Phillies

The Phillies liked Coleman’s performance in Montreal enough to draft him from the Dodgers and place him on their opening day roster in 1961.

“I went to the Phillies first,” he said. “Then they sent me to Spokane, Washington. … I didn’t play too much.”

His hot bat in spring training was not enough to force manager Gene Mauch’s hand.

“I went to spring training and hit about .280, but they never played me,” he recalled. “They played Clay Dalrymple; he hit about .215 and played about every night. [Mauch] knew his baseball, but I don’t think he liked me.”

Coleman confirmed his suspicions about Mauch when he was put in to pinch-hit for Ruben Amaro with two strikes in what was only his second plate appearance in the majors.

“There was a man on first base,” Coleman recounted over 60 years later. “Ruben Amaro was supposed to lay the ball down, put him over. He never did. He did it two times and fouled the ball off. I’m on the bench all night and he called me to come take his place with two strikes. My first time in the major leagues [and I pinch-hit] with two strikes! I fouled four balls off and I hit in to the double play that night in Philly. I always remembered that. That’s tough man!” (Note - It was Coleman’s second career plate appearance and he grounded out to first to end the inning.)

The Expansion 1962 New York Mets

The Phillies left Coleman unprotected in the expansion draft and he was signed by the New York Mets for the 1962 season.

“I never knew at that time that I’d be there on the first [team],” he said. “I made the team and I was happy to be there. I did my best. I hit over .250 my first year. I stayed hurt a lot. My shoulder was out of place, nose fractured, fractured my fingers (displaying multiple broken fingers on his right hand). It’s different now. They play now with one hand behind the back; I didn’t do that, I caught with two hands.”

Despite his small size, Coleman remained fearless behind the plate. He wasn’t going to let his stature determine his playing time on the field.

“It didn’t make no difference,” he said. “I weighed 155; I was the smallest one. All of the fellas were over 200. I wasn’t afraid.”

When asked about the legendary Mets manager Casey Stengel, Coleman recalls very limited interactions between the two.

“I didn’t talk to him too much,” he recalled. “Most of the time, he’d be on the bench asleep.”

Coleman played for the Mets their first two seasons and made a return appearance in 1966 for six games. Taking time to reflect on his stay in New York, Coleman enjoyed his time there and its demanding fan base.

“It was nice to play here,” he said. “In order to play here in New York, you had to be good. You can’t be bad or slow; you always had to do your best.”

He had one last hurrah with the Mets organization in 1969 after leaving baseball behind for two years; however, he could not make it back to the majors to be a part of the World Series championship team.

“I took off two years and I stayed home to go fishing at the time,” he said. “I came back two years later after I wrote them a letter and told them I wanted to start back. They sent me to Tidewater. I been out two years, but I still made the team!”

While he was in New York, he looked forward to being able to see teammates such as Al Jackson and Frank Thomas, as well as Willie Mays, whom he regards as the best player he’s ever seen. He also was excited to Citi Field for the first time, a sight he would rather have experienced as a player than a spectator.

“If I was playing, I’d be more excited to see it … it would be a lot different,” he said.

After baseball, he returned to Florida and later owned a Chinese restaurant for 18 years. In retirement, the humble Coleman enjoyed the ample opportunity to go fishing whenever he wanted.

“It’s a lot of fun just to go and relax,” he said.

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Prince Fielder’s High School Coach on His Passion, Career

Prince Fielder retires from MLB / Tom Hagerty

Watching Prince Fielder battling through tears while announcing his retirement from baseball, emotions ran deep for many, including his former high school baseball coach at Florida Air Academy, Wayne Tyson. Fielder played three years for Tyson from 1999-2001, drawing a close relationship with his coach during his tenure there. The news of Fielder’s struggle tremendously pained Tyson. 

“He worked so hard at it and that’s something that I will always appreciate,” Tyson said. “It broke my heart to hear that his career was going to be over. … I think this has to crush him because it has mattered [so much] to him.” 

Bashing home runs out of Tiger Stadium at the age of 12, Fielder entered high school with a skill set that was well above a typical freshman. Despite his advanced talents, Fielder was Tyson’s hardest worker and most energetic player. 

“He just continued to work at his game just like any player, but he worked at it very hard,” he said. “He did have a talent level that was above most obviously. In the batting cage, you would be out there working in the cage with him and he’d say, ‘Gimme one more.’ You would throw him one more and it’s a bullet off the back of the cage and he says, ‘I mean a bucket.’ He wanted one more bucket! That’s the way he was. He never shied away from doing anything we did in practice. He did everything with energy; that includes base running and fielding. Everything he did, he did with a great energy. I had other guys that played at the same time with him that wouldn’t give me the same juice.” 

Fielder had his coming of age moment on the field during his freshman year that reinforced his major league prospects. Tyson remembers his first high school home run signaling that Fielder had arrived. 

“We knew his freshman year,” he said. “His first home run was hit in John Carroll high school in Fort Pierce against a wind that was going from the left field foul pole to the right field foul pole. He hit it out to left-center at about the 375 mark; it was a screaming line drive, as a freshman! He hit that home run and I said, ‘That’s a big league bat.’ You knew it. [He did it] in a game situation, a competitive tight game that went extra innings. That was amazing.” 

As Fielder progressed through high school, Tyson noticed how Fielder’s growing leadership helped to reinforce the culture that Tyson was trying to create. His actions on the field and his interactions with his teammates took some of the weight off of Tyson’s shoulders to police the dugout. 

“He became very vocal in the right way,” he said. “He was kind of a quiet leader as a freshman in his own way. Even as a freshman, he had something that stood out. By his sophomore year, he started to really take the bull by the horns, by his junior year, my gosh! You didn’t need to run the dugout. He brought the energy; he knew how to pick a guy up and hold a guy accountable in the right way.” 

The same vibe that Fielder possessed on the field and in the dugout as a high schooler hasn’t changed in Tyson’s eyes over the past 15 years. Watching him on the major league stage, Fielder’s core personality remains unchanged. 

“I can tell you his love for the game has never changed, it’s never flagged,” he said. “He had a tremendous passion [back then] and he has a tremendous passion now. He always has something good to say about someone else. That hasn’t changed. He was instilled with some good qualities growing up and he has a wonderful personality and persona to be a team leader. 

“He was coachable, he befriended his teammates. He was never bigger than them in his own eyes. You knew he had big league talent, but he didn’t big league anybody.” 

* - This article was originally published in The Sports Post on August 12, 2016.

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Book Review: 'Handsome Ransom Jackson: Accidental Big Leaguer'

At age 90, Ransom Jackson still considers his entry into the major leagues an accident; however, after reading his new book, “Handsome Ransom Jackson: Accidental Big Leaguer," (2016, Rowman & Littlefield) one will discover that there was no error in Jackson carving a 10-year career that included selections to two All-Star games and a World Series appearance.

Accidental Big Leaguer / Ransom Jackson and Gaylon H. White

Growing up in Little Rock, Arkansas, Jackson pursed golf and track as high school did not field a football team. It wasn’t until he enrolled at Texas Christian University during World War II where he was urged onto the football team by legendary coach “Dutch” Meyer due to a shortage of male students that his athleticism came to the forefront. Jackson immediately became a star running back on the gridiron despite having no formal playing experience. Seeking to double down on his investment, Meyer recruited Jackson for his baseball nine. Relying on his natural abilities, Jackson excelled on the diamond, batting .500 his freshman year. Quickly, a star was born.

Partnering with journalist Gaylon H. White, Jackson recreates a landscape of major league baseball that has long escaped with witty anecdotes and never-before seen photos from Jackson’s personal collection. The stunning images provide a sense of intimacy from a time in baseball’s history that was far removed from the reaches of social media, where players could maintain a sense of privacy while still being accessible to the fans.

The humble third baseman tells his narrative from a reflective position, at times in amazement of his own experiences and accomplishments. His ability to clearly recall detailed stories of how he played in college with Bobby Layne, to playing for Ty Cobb on a semi-pro team, as well as how he handled competing with Jackie Robinson for the third base position with the Brooklyn Dodgers, give his words the proper momentum to seamlessly roll one story right into the next.

As one of the few living Brooklyn Dodgers alumni, Jackson has preserved a great deal of history by putting together his memoirs. Fifty-five years after Jackson took his final major league at-bat, he courageously put himself back in the lineup at the age of 90, showing that a big leaguer never truly loses his feel for the game no matter how long he has stepped away from the spotlight.

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2016 Allen and Ginter - A reminder of the joys of collecting

One of the most anticipated surprises of Topps’ annual baseball calendar is the release of the 2016 Allen and Ginter baseball card set; not necessarily for the baseball players included within, but the non-baseball celebrities and athletes that grace the contents of the checklist. While some fans may not be excited to discover a card of a comedian or broadcaster in between All-Stars, this mix of eclectic personalities with today’s top baseball talents is what sets Allen and Ginter as a distinct release in the baseball card space.

2016 Topps Allen and Ginter / Topps

Familiar non-baseball names include actors Anthony Anderson and George Lopez, Olympians Missy Franklin and Michael Phelps, as well as sportscasters Colin Cowherd and Mike Francesa. Topps also gives a major nod to the growing presence of female on-air sports analysts and personalities with the inclusion of Jessica Mendoza, Jill Martin, Hannah Storm, and Heidi Watney.

Moving aside from the contents of the base set, the classic painted designs give Allen and Ginter a vintage feel while accentuating the photos by leaving room on the borders for the images to stand out. This blueprint has been the hallmark of the Allen and Ginter series and what continues to attract collectors to the product. Collectors will gravitate towards the Baseball Legends insert set, which highlights 25 top Hall of Famers including its newest member, Ken Griffey Jr. Another fun chase is the United States Mayors mini set, featuring 35 different mayors including New York City’s Bill de Blasio.

2016 Topps Allen and Ginter Bill de Blasio

Each box guarantees three hits in the form of a rip card, autograph, relic, or book card. Also included in the hobby box for this review was an oversized box loader card. The box for this review yielded an autograph card as well as two relic cards, a fulfilling output for those looking from hits in the product; however, it did come well short of a complete set, leaving those wanting to build one with many holes to fill.

2016 Allen and Ginter Miguel Cabrera Relic Card

With a diverse list of baseball players and non-sports starts, 2016 Topps Allen and Ginter creates an exciting collecting atmosphere that serves as a reminder that the hobby is to be enjoyed and not just about chasing the next top prospect.

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2016 Topps Factory Set a worthy display of a time honored tradition

Collectors are going to have to make a little bit more room on their shelves as Topps has released a hobby staple, their 2016 Complete Factory Baseball Card Set. The Hobby set provided for this review came complete with all 700 cards from both series, as well as five-card pack of bonus parallels.

2016 Topps Hobby Complete Factory Set

With their 65th anniversary logo emblazoned on the distinctive red box, the factory set's design features many of the rising starts of Major League Baseball including Kris Bryant, Carlos Correa, Jacob deGrom, Clayton Kershaw, Buster Posey, and Mike Trout. As the factory set continues in a long-standing annual hobby tradition, it makes for a wonderful acquisition to any collection and displays nicely whether it is sealed, or opened to put in binder pages to review for years to come.

2016 Topps Factory Set Foil Parallel

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Topps Tier One looking to find a fit in collectors' hands

Topps Tier One Baseball continues in the line of Topps' guaranteed hit products. Boasting two autographs and one relic card inside each neatly packed box, collectors know what they’re getting before they peel away the tightly sealed plastic.

2016 Topps Tier One Box / Topps

While the neatly secured foil wrapper tried to veil the hidden treasures that followed, the suspense was tempered by the guarantee of the contents of the three cards inside. With the advent of products like Tier One, the idea of the hunt has been significantly altered.

For some collectors, Tier One plays right into their collecting desires, as they do not have to wade through packs of base set cards to find their cherished autographed or memorabilia cards. This convenience however comes at a price, with retail boxes going for $90. Unfortunately, as a majority of the autographs selling on the secondary market for $10 each, buyers are going to be hard pressed to find value in this product unless they happen upon a 1/1 cut signature, or dual autographs such as Hank Aaron and Mike Trout, or Sandy Koufax and Clayton Kershaw.

The yield for this box was disappointing, with the Andres Galarraga autograph pictured below as the lone highlight of the three cards. Instead of Topps attempting to lure customers with guaranteed hit products, they could be better served by adding these autographs and jerseys to the staples of their product line.

2016 Topps Tier One Andres Galarrage / Topps

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2016 Topps Series 2 is a perfect bridge to the pennant race for collectors

As we head into the second half of the 2016 baseball season, Topps gives fans another reason to stay excited with the release of their 2016 Topps Series 2 Baseball Card set. Filling in the gaps from Series 1 which debuted right at the start of the baseball season, Series 2 baseball is the perfect bridge to the pennant race for collectors.

2016 Topps Baseball Series 2 / Topps

The 350-card base set includes rookie cards of Kenta Maeda and Max Kepler, emerging stars in Carlos Correa and Jurickson Profar, as well as established veterans Alex Rodriguez and Ichiro. The Japanese legend is also featured in an insert set chronicling his chase to 3,000 hits, making it a complimentary piece as he inches closer to one of baseball’s vaunted milestones.

Ichiro Chasing 3K Set / Topps

Fans of Series 1 will find familiar insert sets in the Rainbow Foil and Gold Parallels, a second series of Berger’s Best, and an additional 25-card tribute to the highlights at Wrigley Field. For those chasing autographs, they come in the form of the prospect based Scouting Report set, the Glove Leather Autographs set which features a mix of prospects, veterans, and retired stars — for those looking for their Chicago Cubs fix, significant franchise members signed cards as part of  the 100 Years at Wrigley Field set.

Carl Edwards Jr. Scouting Report Autograph / Topps

The box provided for this review yielded almost a complete set, filling 320 of the 350 cards on the checklist. Each pack in the box contained an insert, including a Scouting Reports autograph, six Gold parallels, three Rainbow Foil cards, and one short printed card. At $60 per box, Topps’ main issue remains a good value for collectors seeking to keep up with Topps’ innovative design and add to the 65-year tradition of building a complete Topps baseball card set.

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Clyde Parris, Negro Leaguer and Panamian baseball great passes away at 93

Jonathan “Clyde” Parris, an alum of the Negro Leagues and later a minor league MVP and batting champion in the Brooklyn Dodgers organization, passed away Saturday July 9, 2016 due to complications from liver cancer at Franklin General Hospital in Valley Stream, NY. He was 93.

Clyde Parris at his home in 2011 / N. Diunte

Born September 11, 1922 in Panama’s Canal Zone, Parris quickly emerged as a rising star in the country’s rich baseball scene. Following the footsteps of his predecessors Frankie Austin and Pat Scantlebury, Parris came to the United States in 1946 to play for the Baltimore Elite Giants of the Negro Leagues after being recruited by a local talent scout.

“As a kid I played softball, and then I played in the community leagues,” Parris recalled during our 2007 interview. “I played infield; shortstop and third base. I could always hit the ball hard. That's how I came to be recommended to play in the United States. … I can't remember the man who brought me to the Negro Leagues. I played in Panama and he saw me play so well, he recommended me to play with Baltimore.”

His stay with Baltimore was brief, as he was released from the team early in the season to make room for future Hall of Famer Willie Wells. He was quickly signed by the New York Black Yankees, giving him another chance to prove himself in the Negro Leagues.

“We played in Yankee Stadium while the New York Yankees were away,” Parris said. "I remember approaching the stadium, guys said, ’Parris, this is Yankee Stadium!’ I went inside to the lobby to see the pictures of the stars. It was something unreal. The field was just so nice to play on, thinking about all of the greats that played there.”

Despite being on a last place club, Parris still had to compete against all of the league's great talent in 1946, including Hall of Famers Josh Gibson, Satchel Paige, Leon Day, and Buck Leonard.

“I had to face guys like Satchel Paige, Leon Day, and Bill Byrd,” he recalled. “Byrd only pitched at home. I batted against Day the first and second year and he was hard to hit. It wasn't anything outstanding like [Bob] Gibson or [Don] Drysdale. I played with Drysdale too. I think his [Day] better years were behind him like [Josh] Gibson.”

At the time of our 2007 interview, Parris was one of the few living players to have went up against Gibson, facing him during the famed catcher’s final season in 1946. Even though Gibson was in declining health, Parris remembered Gibson as a threat at the plate.

“I played against Josh Gibson,” he said. “When I played against him, he couldn't even stoop down; he stooped down about halfway. Yet every time we played against him, he hit a home run or two. I remember I was playing back at third base and he hit a dribbler like a bunt, and I'll never forget that. I thought I had to play back! They also had Buck Leonard too. They were on the same team, Homestead Grays. We were the doormat of the league. What were you gonna do? We had no pitching.”

Parris also squared off against Satchel Paige at Yankee Stadium. He clouted a home run off of the famed hurler, though not without controversy.

“We were facing Satchel Paige in Yankee Stadium,” Parris recalled. “They had him pitch there because he brought in huge crowds. It was near the end of the game when I hit one to right field. The right fielder in Yankee Stadium went to field the ball near the fence and it hit off of him to go over the fence. They started arguing about it. The umpire said it didn’t make a difference; it was a home run.”

After getting through his first year in the Negro Leagues, Parris didn’t want to come back. The low pay, the unforgiving schedule and segregated conditions wore greatly on the Panamanian; however without the prospect of a job, he returned to the Black Yankees in 1947.

“After my first year in the black leagues, I didn't want to go back, but I didn't have a job,” he said. “We went barnstorming to make some money, but we didn't make anything substantial. I made $275 per month.”

Just as Parris was getting ready to return to the United States in 1947, the Brooklyn Dodgers, who were stationed in Panama for spring training, faced a team of Panamanian All-Stars before they headed north. History unfolded right before Parris’ eyes.

“The first time Jackie took that first baseman's glove was against our team in Panama,” he said. “They had Newcombe, Campanella, Robinson, and Partlow.”

Jackie Robinson, Roy Campanella, Don Newcombe, Roy Partlow in Panama 1947 / Clyde Parris Collection

He stayed in the Negro Leagues through 1949, playing with the Black Yankees and Louisville Buckeyes. He returned home to Panama, starring in their winter league, where he would eventually set most of their career batting records.

Parris made his way to the Brooklyn Dodgers organization in 1952, signing with by Dodgers scout Joe Cicero after playing for St. Jean of the Canadian Provincial League. By 1954, he earned Class-A league MVP honors with Elmira, besting future New York Yankees World Series MVP Bobby Richardson for the title.

Clyde Parris with Elmira / N. Diunte

The Dodgers promoted Parris to AAA Montreal in 1955, pushing him ever so close to the major leagues. Making good on his promotion, he led the International League with a .321 batting average in 1956. Despite his outstanding performance, the Dodgers didn’t bring him up to get even a taste of major league life.

“I went to AAA after leading Class-A in hitting,” he said. “In 1956, I led AAA in hitting. A lot of people thought I was going to be called up. Deep down inside, I didn't expect to go to the big leagues, I guess because of my age. I was 34, kind of old, right?”

Clyde Parris with the Montreal Royals

For those that played with Parris, they knew that he deserved at a shot in the major leagues. Former teammate Evans Killeen, who played with the Kansas City Athletics, told Lou Hernandez in “Memories of Winter Ball,” Parris was first when he thought of outstanding teammates.

“To me, he was one of the great hitters I have ever seen in my life,” Killeen said. “He would have been a great major leaguer. But he never got the chance. … All Parris hit was line drives, and he was a tough out. … What a hitter. … Could you imagine him today? This guy was some hitter.”

Parris continued playing almost year ‘round in the minors and in the Panamanian Winter League through the age of 37 in 1960. For whatever rigors on the body the extended seasons had on Parris, he said it beat getting a job.

“As far as I thought, it was better than going to work,” he said. “A whole lot of time, I didn't have a house of my own. I stayed with my folks, so I didn't have to pay rent or a mortgage. I just kept playing. A whole lot of times, you only play six-to-seven months out of the year, five-to-six up in the USA, and two months winter ball. I didn't work.”

A custom made card that Parris enjoyed / N. Diunte

During his post-playing days, he moved to Springfield Gardens in Queens. He purchased a home in the 1960s, where along with his wife Eugenia, they raised his three children (two sons and a daughter). He worked various government jobs, eventually retiring from the MTA in 1988.

His playing career went largely unnoticed in retirement, missing the entire Negro League renaissance of the early 1990s. It wasn’t until 2007 when I was put in touch with Parris that he spoke on the record for the first time since his 1960 retirement about his life in baseball.

“I haven’t been asked about my career since I was a player,” he told me during our meeting in 2007.

Clyde Parris (r.) with me during our first meeting in 2007 / N. Diunte

What forged from that interview was a friendship lasting these past nine years, where I would drive out to his home every few months to have lunch and talk baseball. Through our conversations, I was able to get in touch with the Topps Company, who promptly honored him with an official card in their 2009 Allen and Ginter Baseball Card set.

“I felt honored for Topps to give me a baseball card. I thought they could have used a better photo, but it is nice to see one after all of these years,” Parris said. “I had a good run in baseball, I can’t complain.”

Clyde Parris 2009 Topps Baseball Card / Topps

The more we met to talk, the increasingly energized he became about sharing the stories of his playing days. For almost every significant player of the 1940s and 1950s, Parris had an exciting story of either playing with or against them. From some of the aforementioned icons of the Negro Leagues, to minor league Dodgers teammates such as Don Drysdale, Sparky Anderson, and Tommy Lasorda, Parris spun vivid yarns about many in the game.

I will remember the many afternoons spent at his kitchen table listening to him openly share his experiences with his trademark laugh after recalling a lighter baseball moment. I feel fortunate to have shared that special time with him. Checking through some old messages on my phone, I found one saved from Clyde. He kept it short and sweet as usual, saying, “Hey, this is Parris, give me a call back.”

On Saturday, Clyde finally got the call back to the big show in the sky. I’m sure he went there major leagues all the way. Rest in peace my friend, you will be missed.

Ed. Note - Parts of this article are excerpted from a Times-Ledger story I wrote about Parris in 2011, "Batting average? You are thinking about surviving."

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Book Review: 'Game of My Life: Memorable Stories of Mets Baseball' by Michael Garry

Author Michael Garry has gathered some of the best anecdotes of the New York Mets franchise told directly by the players themselves in his new book, “Game of My Life: Memorable Stories of Mets Baseball.” Garry dissects over 50 years of memorable moments in Flushing starting with Al Jackson recounting his 15-inning game during the team’s inaugural season in 1962, through the theatrics of Johan Santana pitching the first (and only) no-hitter in Mets history.

Game of My Life / Michael Garry

While Garry enlists the likes of Ron Swoboda and Mookie Wilson to share their roles in securing World Series victory, “Game of My Life,” really shines when less heralded players such as John Stearns, Eric Hillman, Anthony Young, and Benny Agbayani relay their magical moments as members of the Mets.

The tales of the 25 Mets interviewed for “Game of My Life,” from Jackson to Travis D’Arnaud, reveal the rich history of the Flushing franchise from its inception to the present, giving Mets fans another opportunity to relive the prominent memories of their beloved heroes.

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Review - 2016 Topps Archives Baseball: A fresh look on a vintage product

The instant gratification of opening a pack of baseball cards has never been more apparent than with the experience that comes along with Topps’ 2016 Archives Baseball series. Fancied in the molds of the 1953, 1979, and 1991 Topps releases, Archives beautifully blends the stars of today with the designs of yesteryear to create an even fresher look for 2016.

2016 Topps Archives / Topps

Click here to read an in depth review of the 2016 Topps Archives Baseball series.

 

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