Showing posts with label Cool Papa Bell. Show all posts
Showing posts with label Cool Papa Bell. Show all posts

Thursday, December 28, 2017

Jackie Robinson's lone day as shortstop for the Brooklyn Dodgers

When the Brooklyn Dodgers signed Jackie Robinson in 1945, he was playing shortstop for the Kansas City Monarchs in the Negro Leagues. His signing worried league veterans, as they questioned his ability to adequately field the position at the major league level.

“All us old fellas didn't think he could make it at short,” Hall of Famer Cool Papa Bell told Sports Illustrated in 1973. “He couldn't go to his right too good. He'd give it a backhand and then plant his right leg and throw. He always had to take two extra steps. We was worried. He miss this chance, and who knows when we'd git another chance?”

Jackie Robinson / National Archives
If anyone was qualified to evaluate Robinson’s readiness to play shortstop at an elite level, it was Bell. Regarded as the fastest the Negro Leagues had to offer, Olympian Jesse Owens reportedly refused to race against the fleet-footed outfielder. Even though Bell was in his mid-40s when he faced Robinson in Negro League competition, he could still draw on his legendary speed when necessary. He devised a plan to send a not-so-subtle message that Robinson needed to look for another place on the field if he was going to be their representative to break the color barrier.

“So I made up my mind to try and show him he should try for another spot in the infield,” Bell said. “One night I must've knocked couple hundred ground balls to his right and I beat the throw to first every time. Jackie smiled. He got the message. He played a lot of games in the majors, only one of 'em at short.”

Intrigued by Bell’s mention of Robinson’s lone game in the majors at shortstop, I looked for the story behind his brief return to a position he had not played professionally in eight years. On September 22nd, 1953, Dodgers manager Chuck Dressen gave the Brooklyn fans a treat during the final home game of the season, as he penciled in Robinson at shortstop next to his cleanup spot in the batting order.

Pee Wee Reese, the Dodgers captain and shortstop, stepped aside so Robinson could have a taste of the position he last held with the Monarchs. Ironically, Reese was the catalyst for this move, as it was his dare that provoked Robinson to change positions. In true form, the ever-competitive Robinson didn't hesitate to accept the challenge.

“Jackie Robinson played shortstop yesterday on a dare by Pee Wee Reese,” Dave Anderson wrote in the Brooklyn Daily Eagle. “The man-in-motion now has played every infield position this season as well as left field.”


Robinson’s charge at shortstop was witnessed by only the most diehard Brooklyn faithful, as a scant 2,365 fans showed up to Ebbets Field for the game. His appearance passed with little fanfare except for a lone wire photo of Robinson snaring a line drive from the bat of Pittsburgh’s Danny O’Connell.

So was Bell accurate in his assessment of Robinson playing shortstop in the major leagues? Robinson handled five chances without an error, but his clean sheet left out one curious detail. In the first inning, the Pirates lefty-hitting Hal Rice reached safely at first base on a groundball to shortstop. While the news reports made no mention as to where Rice hit the ball, one can wonder if he tried to slap one in between short and third and test Robinson like Bell did in the Negro Leagues almost a decade earlier.

* Note - A tip of the cap to Luke Epplin (@LukeEpplin) for his assistance with the newspaper research.

Saturday, September 10, 2016

How Pete Nice brought Double Duty Radcliffe into the hip hop realm

Peter Nash, known to many as Pete Nice from the legendary hip hop group 3rd Bass, posted on Twitter a copy of a letter he penned to Def Jam executives for payment to Negro League legend Ted “Double Duty” Radcliffe for his appearance on Nash’s 1994 solo album, “Dust to Dust.” The track, “Double Duty Got Di**ed,” which featured Radcliffe dropping knowledge on the segregated league over a funky drum break, put some hip hop flavor behind the ruminations of one of baseball’s greatest storytellers.

Nash, whose love for baseball and collecting memorabilia extends well before the advent of his 3rd Bass days, found it only natural to involve this chapter of baseball history in his music. Speaking with Nash recently via telephone, we discussed the origins of the Double Duty track, which was spawned from an attempt to include a song about Hall of Famer Cool Papa Bell on their 3rd Bass album.

“It was almost like I had two songs,” Nash said. “I changed the song to ‘Cool Papa Got Di**ed Down.’ I had the idea I was going to do a Negro League song. I pitched it to [MC] Serch and he was interested.

“We both wanted to do this song and then we got through the second album and the concept didn’t make it; then we broke up. Ultramagnetic MCs came out with their Negro League song (The Saga of Dandy, The Devil, and Day), so I was like they already did it. Back then it was competition; you didn’t want to bite. They beat us to it. That was in 1993.”

The ensuing break up of 3rd Bass allowed Nash to revisit the idea of paying homage to the Negro Leagues on his solo album. He linked up with Richard Berg, who was the President of the Negro Leagues Players Association, an organization created to help the living Negro League alumni have proper financial dealings as the league experienced a resurgence of public interest and popularity.

“I contacted Richard Berg to get in touch with him about getting in and recording something with [Radcliffe],” he said. “Richard Berg said that it was going to be really tough because [Radcliffe] was so old and not really traveling a lot. He said, ‘Hey, I have all these interviews I did with him and other guys.’ He gave me the master tapes and I listened to it and I pulled right off there. You couldn’t get any better than that!”

Double Duty Radcliffe Signed Photo / National Pastime Museum

Nash still had to wrestle with the idea of how to differentiate his effort from that of the Ultramagnetic MCs. During that era, anything considered copying or being labeled with the tag of “biting” was the genre’s curse of death. After listening to Berg’s tapes, Nash’s vision became much clearer.

“Going into my solo album, I thought how I could do this in a totally separate manner,” he said. “That’s how I came up with the whole spoken word idea. That’s how it changed to Double Duty when I got the vocals from Richard. I was looking at a lot of different players, but his was the best. You can’t beat Double Duty.”



Nash’s preservation of the letter requesting Double Duty’s payment is an important link to the Negro Leagues and the hip hop community. Nash recalled Double Duty initially balking at the amount of money involved because of Nash’s ethnicity, but when all things were settled, both sides walked away with a smile.

“When it came down to actually paying him, the record company was willing to pay $500 or $1000 out of the budget,” he said. “They were really just licensing part of this interview that Richard did. Double Duty said something like, ‘Who’s this white boy doing this?’ He said he wanted more money because I white. He said a whole bunch of dismissive stuff. I didn’t really care; I was glad that he was getting some money. He was happy that it was useful and he liked the song too.”

The ability to access Berg’s master tapes was as close as Nash could get to having Radcliffe in the studio. In some ways, it was a blessing for Nash to be able to keep Radcliffe from the studio, as he felt the nonagenarian’s penchant for chasing women would have kept him from ever reaching the recording booth.

“It would have been cool to have him in the studio, but he would have been trying to pick up every woman that he saw on the way,” he said.

When Nash met Radcliffe in Cooperstown, New York in the early 1990s, he watched as Radcliffe tried to hit on the waitresses at the Otesaga Hotel. Sports Illustrated later noted that even when Double Duty turned 100, he was trying to charm the waitresses at his favorite lunch spot. It is this colorful way that he lived his life that made the story of Double Duty even that more vivid. Radcliffe passed away in 2005 at the age of 102, but the tales that Duty spun have further spread the legend.

“You never knew what Double Duty would end up saying if you sat him down and let him roll.”

Saturday, January 23, 2016

Cool Papa Bell shares the details of Satchel Paige's tryout with the Cleveland Indians in 1948

Cool Papa Bell, Negro League Hall of Fame speedster, shares in the video below the details of Satchel Paige's tryout with the Cleveland Indians in 1948. The audio of Bell's interview is part of a larger project by the Baseball Hall of Fame to digitize their vast audio library. Paige was signed by Bill Veeck and made an immediate splash with the Indians, debuting to a sellout crowd on his 42nd birthday.

Cool Papa Bell (bottom center) with Satchel Paige (middle row, far right) on the 1937 Ciudad Trujillo team

Paige finished with a 6-1 record, helping to lead the Indians to the 1948 World Series. Due to the dominant pitching performances of the Indians starting rotation, Paige was only called upon to pitch one inning during the series. Despite his limited role in the World Series, Veeck's investment paid dividends through Paige's stellar work in the regular season.


Wednesday, November 18, 2009

Wallace 'Bucky' Williams, 102, Former Negro League Pittsburgh Crawfords

The second oldest living Negro League player, Bucky Williams passed away on November 16, 2009 at the age of 102. Williams played infield for the Pittsburgh Crawfords from 1927-1932, and then with the Homestead Grays in the late 1930's, playing with and against many baseball luminaries including: Satchel Paige, Josh Gibson, Judy Johnson, Oscar Charleston, Cool Papa Bell, Martin Dihigo and Smokey Joe Williams. He retired in 1971 from Edgar Thomson Steel Works and moved to Penn Hills after his wife passed away in 1977. He was a fixture at the Josh Gibson Foundation dinners in recent years. He is only surpassed by 103 year old Puerto Rican Milito Navarro who played for the Cuban Stars in 1928-1929. Click here to view his entire obituary from the Pittsburgh Post Gazette.